| THE PERCEPTION OF ANY KIND OF ARTWORK IS DETERMINATED BY PHYSICAL AND PSYCOLOGICAL RELATIONSHIPS THAT EVERY USER ESTABLISHES WITH IT.
ONE MUST AUTONOMOUSLY DEVELOP A COMPLEXITY OF FACTORS FROM LESS VISIBLE AND EVIDENT ASPECTS OF THINGS, LOOKING FOR POSSIBLE CONNECTIONS, CONTAMINATIONS AND SHADOWS.
IT IS POSSIBLE TO BREAK THE HEGEMONOUS READING AND FRONTALITY OF AN OPERA?
CAN EVERY USER SELECT HIS OWN PATH OF KNOWLEDGE, ENRICHING IT THROUGH COMPARIION AND INTER-RELATIONSHIPS WITH OTHER ARTWORKS, DOCUMENTS AND INFORMATION THAT NORMALLY IS INEXISTANT OR EVEN UNTHINKABLE TO EXHIBIT?
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